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VELAZQUEZ, Diego Rodriguez de Silva y Duke mk237
1625-1626
Oil on canvas
216x129cm
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1627
Oil on canvas
200x103cm
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VELAZQUEZ, Diego Rodriguez de Silva y Potrait of Young man mk237
1625
Oil on canvas
32x24cm
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VELAZQUEZ, Diego Rodriguez de Silva y Deer mk237
1626-1627
Oil on canvas
58x44.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1626-1628
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu wearing the visor mk237
1628
Oil on canvas
57x44.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of man mk237
1626-28
Oil on canvas
104x79cm
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VELAZQUEZ, Diego Rodriguez de Silva y Clown mk237
1628-1629
Oil on canvas
175.5x106.7cm
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VELAZQUEZ, Diego Rodriguez de Silva y Philosopher mk237
1628-29
Oil on canvas
101x81cm
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VELAZQUEZ, Diego Rodriguez de Silva y Villa mk237
1630
Oil on canvas
44.5x38.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Villa mk237
1630
Oil on canvas
48.5x43cm
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VELAZQUEZ, Diego Rodriguez de Silva y Puzzle mk237
1631-1632
oil on canvas
244x203cm
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VELAZQUEZ, Diego Rodriguez de Silva y The Mary Princess mk237
1630
oil on canvas
59.5x45.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1631-1632
Oil on canvas
199.5x113cm
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VELAZQUEZ, Diego Rodriguez de Silva y Princess and her son mk237
1631-1632
Oil on canvas
205x115cm
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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai mk237
1631-1632
Oil on canvas
207x119cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Ilisabai mk237
Oil on canvas
1631-1632
207x119cm
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VELAZQUEZ, Diego Rodriguez de Silva y A Young man mk237
1631-1632
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y A Young man mk237
1631-1632
Oil on canvas
205x116cm
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VELAZQUEZ, Diego Rodriguez de Silva y Tang Huang mk237
1632
Oil on canvas
108.5x90cm
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VELAZQUEZ, Diego Rodriguez de Silva y
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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